Head Rhyme: Alliteration

Alliteration, also known as the head rhyme, is a sound device that focuses on the repetition of initial sounds in accented syllables -- typically consonants -- to help words flow together smoothly. Alliteration is what makes a line in a poem feel like it rolls right off your tongue. The fluid transition between words creates harmony and unity. For example, in "The Raven," Edgar Allan Poe writes, "Once upon a midnight dreary, while I pondered, weak and weary." "Weak and weary" is an example of alliteration.

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Onomatopoeia and Imitation

Onomatopoeia is when a writer uses words to imitate or mimic specific sounds. The utterance of the spoken word resembles the actual sound. This sound device helps a poet naturally incorporate sound into his writing. For example, Alfred Noyes writes, "Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear," in his poem "The Highwayman." "Tlot-tlot" is an example of onomatopoeia because the words mimic the sound of a horse's hoofs on cobblestone.

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Assonance and Consonance

Poets use assonance and consonance to draw attention to sound. Assonance and consonance create harmonious sounds pleasing to the ear. Assonance is the use of similar vowel sounds with different consonant sounds in a line or a stanza of a poem, such as the short "e" sound in "harness" and "bells" in Robert Frost's poem "Stopping by Woods on a Snowy Evening." Consonance is the repetitive use of similar consonant sounds at the end of a word, such as "cool" and "soul" in Emily Dickinson's poem, "He Fumbles at Your Spirit."

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Rhyming Words

Poets often use rhyming to group words and phrases into lines and stanzas that transition smoothly from one to the next. Masculine rhyme is when a line or a stanza has a single stressed rhyming syllable, such as "play" and "day" and "mat" and "hat" in "The Cat in the Hat" by Dr. Seuss. Feminine rhyme occurs when a stressed rhyming syllable is followed by an unstressed rhyming syllable, such as "sunny" and "funny" in the same book.